it makes sense since you put in this way, like a Sempai-kouhai thing. at least that is how they see I think your comment was pointed in this direction too?
#Osama japanese musition movie#
I think Wada wants the Apology not so much to be directed at the Public but also directed at the people in the TV and Movie industry in Japan.
It is not as if she broke any laws but she has ignored the rules of showbiz." © Japan request for an Apology by Wada is interesting. Her management will decide that, not her, so she can't run around doing as she wishes and expect to resume her career. "If she wishes to return to showbiz, she needs to have a cooling off period. The tabloids have been reporting that Yaguchi and Umeda are still seeing each other. Furthermore, if she has really been sick all this time, then that is a bigger cause for worry." "Just sending a fax saying 'I'm sorry' is not enough, either. "First, she needs to issue an apology for causing trouble," Wada said. Meanwhile, Umeda deleted his Twitter account, as well as his personal blog.Īt a rehearsal for a 45th anniversary concert on Wednesday, Wada was asked by reporters if she had any advice for Yaguchi. Yaguchi made a vague apology during an appearance on a TV variety show on May 23 but has dropped out of sight since, claiming that she is suffering from acute gastroenteritis. Nakamura and Yaguchi have been living separately since then and their divorce was finalized on May 30. The scandal became public in May when Josei Seven reported that Yaguchi’s husband, actor Masaya Nakamura, 27, had come home one day in February and found Yaguchi in bed with Kenzo Umeda, a 25-year-old model.
#Osama japanese musition license#
I can imagine that clear division of markets making license negotiations much more problematic for Spotify than, say, bringing in labels from around Europe.Popular veteran singer Akiko Wada gave her opinion this week on former Morning Musume singer Mari Yaguchi's illicit affair, saying that the 30-year-old singer should apologize to her fans. Western artists and labels have already had to work hard and jump through hoops to break into that market - that's why the majority of Japanese releases by western artists have a bunch of bonus and previously unreleased tracks, because they feel they need to offer a bunch of value-added content in order to be noticed and capture interest amongst the huge amount of domestic competition. I can see Japan being a tough nut to crack, in particular, since they've always had a well-developed (and somewhat insular) music market of their own. The music industry was slow to accept digital distribution in any form and they're going to be even slower to become comfortable with streaming licenses, especially across international borders. The best Spotify can do is plead/beg/crawl/offer their bodies, but it's not always going to be enough. Unfortunately their hands are ultimately bound by licensing terms offered (or not) by the labels. Does anyone else feel the same way as I do?
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